Volume 16 (1997)


Preface [PDF]


Tyrany, Writing, and Memory in Abel Posses’ Daimón
Thomas P. Waldemer [PDF]


Saint-Évremont and Pedantry: The Baroque Aesthetic of La comédie des académistes
Kathryn Willis Wolfe [PDF]


Playing Doubles: Another Look at Alemán’s Vengeance on Martí
Eric J. Kartchner [PDF]


A “Tragic Mistake”?: Veronica’s Identity Quest in Maryse Condé’s Hérémakhonon
Daniel R. Morris [PDF]


Writing Cultural Identity: Strategies for Authorizing Difference
Linda Burdell [PDF]


La Double Entente: Eavesdropping in À la recherche du temps perdu
Ann Gaylin [PDF]


En-gendering Violence in Roberto Athayde’s Apareceu a Margarida and Plínio Marcos’s Dois perdidos numa noite suja
Stacey D. Skar [PDF]


Voces femeninas del barroco español: La poesía lírica de Catalina Clara Ramírez de Guzmán (1618-1684)
Aránzaru Borrachero [PDF]


Schema Theory and Reader-Response Theory: Solutions to Contradictions in the Foreign Literature Class
Sharon Trachte [PDF]


Noticias del Imperio y Corona de sombra: Dos visiones distintas
Kelly Dunn [PDF]


From Realistic Narratives to Social Fantasy: of Nightclubs and Supermarkets in Some Contemporary Narratives on Magrebi-French
Sylvie Durmalat [PDF]


Our Bodies, Our Selves: Vengeance in the Novellas of María de Zayas
Lisa Vollendorf [PDF]


Discontinuous Continuities in Assia Djebar’s L’amour la fantasia
Kathryn M. Lauten [PDF]


La “ima-sapra” como metáfora del caos en El zorro de arriba y el zorro de abajo de José María Arguedas
Carlos Schwald [PDF]


Andrée Chedid: Dialogue and the Destruction of Form
Lynne Goodhart and Jon Wagner [PDF]


Entre la luz y el abismo: Voces al atardecer de Francisco Rivera
Kristine Byron [PDF]


The Critique of History in Lídia Jorge’s A Costa dos Murmúrios or Helen of Beira Meets Luís of Troy
Ronald W. Sousa [PDF]


Historical Discourse as Collective Remembrance in Enrique Buenaventura’s Los papeles del infierno: The Socio-Historical Role of the Artist
Elena M. de Acosta [PDF]